The Self-Image of Children’s Literature in the Anglophone Cultural Polysystem of the Nineteenth Century
Downloads
This article explores the position of children’s literature within the Anglophone cultural polysystem of the nineteenth century, focusing on the notion of self-image as a defining factor of its literary and social function. Self-image is understood as the dynamic interaction between internal self-perception and external evaluation by dominant cultural and literary institutions. Drawing on polysystem theory (Even-Zohar, 1979; Toury, 1974), the study argues that although children’s literature occupied a secondary position in relation to the literary canon, it played a crucial role in transmitting moral values, shaping social norms, and constructing models of childhood characteristic of Victorian culture.
1. Avery, G. (2010). Childhood and Children’s Books in the Nineteenth Century. Cambridge Scholars Publishing.
2. Avery, G., Lea, A., Robinson, J. R., & Brown, R. (1971). Writing for children: A social engagement? Children’s Literature in Education, 2, 17–29.
3. Even-Zohar, I. (1979). Polysystem studies. Poetics Today.
4. Grenby, M. O. (2011). The Child Reader, 1700–1840. Cambridge University Press.
5. Hunt, P. (1990). Children’s Literature: The Development of Criticism. Routledge.
6. Nodelman, P. (2008). The Hidden Adult: Defining Children’s Literature. Johns Hopkins University Press.
7. Toury, G. (1974). Translational Norms and Literary Polysystems. Tel Aviv University.

This work is licensed under a Creative Commons Attribution 4.0 International License.
