Interpretation of Historical Images in Uzbekistan Sculpture

Authors

  • Pulatov Dilmurod Saymamutovich Namangan state university, Associate professor of the department of art studies, candidate of arts

Keywords:

sculpture, majestic sculpture, light-shadow, shape, volume, composition, traditional, monument, relief, stage, artistic interpretation, symbol

Abstract

The article examines the issues of the formation of modern approaches in the creative process of the sculpture of Uzbekistan at the end of the 20th century and the beginning of the 21st century. The activities of leading creators are studied. The great majestic monuments erected in our country have been artistically analyzed. The new stage of creative development in easel sculpture has been scientifically researched.

References

Karamatov X., Jo‘rayev N., Qo‘ziyev T. O‘zbekiston san’ati (1991-2001 yillar) / va b. A.Hakimov tahriri ostida. – Toshkent, 2001y.

O‘zbekiston haykaltaroshligi 1991-2006 /Katalog. Toshkent, OOO MEDIA LAND, 2006 y.

Pulatov, D. (2023). A NEW ERA IN UZBEKISTAN SCULPTURE TRADITION AND MODERN SEARCHES. Models and methods in modern science, 2(2), 69-72.

Pulatov, D. S., & Kh, R. U. (2019). On fine arts and its varieties. Вестник магистратуры, (4- 4 (91)), 89-90.

Toxirovich S. N. VISUAL ARTS TEACHING METHODOLOGY AND PROBLEMS AND SOLUTIONS //Galaxy International Interdisciplinary Research Journal. – 2023. – Т. 11. – №. 5. – P. 569-571.

Pulatov, D., & Yusupov, A. (2020). The Peculiarity of the Master Mumin and the Uzbek National.

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Published

2024-11-11

How to Cite

Saymamutovich, P. D. (2024). Interpretation of Historical Images in Uzbekistan Sculpture. American Journal of Religious, Culture and Archeological Studies, 1(4), 19–22. Retrieved from https://semantjournals.org/index.php/AJRCAS/article/view/427

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